Çré Raìganäthaswämi Temple,
Srirangam
Sri
Rangam is one of the celebrated 108 Vaiñëava Divya Desam located nine km from
Trichy. It is ranked above (?) Tirupati as the most important Vishnu shrine.
This ancient and most sacred shrine situated in an island formed by River Käveri on one side, and its tributary
Kollidam on the other. The 600-acre temple-town Sri Rangam has developed around
the Temple. The gigantic Temple of Sri Ranganathaswamy and his consort Sri Ranganayaki,
occupying 156 acres, is the pride of this island.
Period & Builder/s
Almost
all the major dynasties that ruled this area over many centuries, such as the
Pallavas (600-900 CE), the Cholas (900-1150 CE), the Cheras, the Pandyas and
the Hoysalas have contributed to make it the biggest temple-complex in the
country. (The characteristic feature of Vijayanagara period is the development
of Temple-Complex: prakäras -
concentric series of rectangular enclosure walls with gopurams (towered gateways) in the middle of each side.) The
numerous prakäras (now 7) and maëòapas perhaps were added during this
period. The Temple owes its present prominence to the Vijayanagara Empire
(1350-1565 CE) and its successor, the Nayakas (1600-1750 CE). There is a statue
of Tirumalä Näyaka, the greatest of the Madurai Näyaka rulers, sculpted on one
of the pillars of this vast Temple.
Contribution of various
Dynasties to South Indian Temple Architecture
(4 of the Temples are World Heritage Sites)
Dynasty
|
Period*
|
Temples
|
Style
|
Place
|
The
Pallavas of Kanchi
(Initiaters
of Rock-cut Temples)
|
600-900
CE
|
Five
Rathas,
Shore
Temple
|
rock-cut,
architectural
|
Mahabalipuram
(World Heritage Site)
|
Kailasanath
Temple
|
architectural
|
Kanchipuram
|
||
Chalukyas
of Badami
(in
west/north?Karnataka)
|
500-753
CE
|
Vesara
|
Aihole(cradle
of Indian Architecture), Pattadakal
(World Heritage Site)
|
|
Rashtrakutas
of Manyakheta
|
750-983
CE
|
Ellora
|
cave
temples,
Monolithic
rock-cut Temple
|
Ellora
(World Heritage Site)
|
Chalukyas
Of
Kalyani
|
983-1195
CE
|
Lakkundi,
Dambal, Gadag
|
||
Hoysala
Of
Karnataka??
|
1100-1350
CE
|
Belur,
Halebid
Somanathapura
(proposed as World Heritage Site), Srngeri
|
||
Chola
Of
Tanjavur
|
900-1150
CE
|
Brhadiswara
Temple
|
Dravida
|
Tanjavur
(World Heritage Site)
|
Brhadiswara
Temple
|
Gangaikonda
(World Heritage Site)
|
|||
Airavateswara
Temple
|
Darasuram
(World Heritage Site)
|
|||
Sarangapani
sanctum
|
Kumbakonam
|
|||
Vijayanagar
Of
Hampi?
|
1350-1565
CE
|
Tiruvannamalai
|
||
Sarangapani
Gopuram/s
|
Kumbakonam
|
|||
Rajagopuram
of
Ekambareswar
|
||||
Nayakas
Of
Madurai
(succeeded
Vijayanagara)
|
1600-1750
CE
|
Sri
Rangam
(expansion)
|
*
Period is indicative since historians will not agree to one period.
Temple architecture/style/specialty
Sri
Rangam is the foremost of the 108 Divya Deçams - shrines glorified by the Älwärs
(Vaiñëava Saints) in their poems, and is referred to as the ‘Heaven on Earth’.
Undoubtedly, the largest Temple in India, it boasts of the tallest gopuram in India. The Temple compound (of
156 acres) and has seven concentric prakäras
(enclosures) surrounding the shrine, and a total of 21 gopurams (average 3 gopurams
per prakära. I am trying to
understand the arithmatic, and visualise) and several maëòapams, shrines (for Sri Ranganayaki, Garuda, Narasimha, Anjaneya,
the Alwar Saints, Sri Andal, and Bibi Nachiar) and tanks. The outer most
seventh prakäram is the outer wall, is
more like a fort, and was built after the aftermath of the Islamic invasion.
The
Temple has number of firsts to its credit, the latest being the tallest gopuram in India. The 13-tiered and
240-feet tall Räjagopuram was built in 1980s (so late?),
and can be seen from several miles (I photographed the Räjagopuram from the
road). It is painted with the typical païcavarëam
(five colours) – blue, red, green, yellow and black, a style seen in many
Dravidian temples (also in Little India in Singapore). There are 20 more gopurams in this temple-complex (my own arithmatic), and as many shrines.
Famous Gopurams
|
Place
|
Tier
|
Height
|
Builder
|
|
1
|
Sri
Ranganathaswamy Temple
|
Trichy
|
13-tiered
|
240
feet
|
1980
|
2
|
Arunachaleswara
Temple
|
Tiruvannamalai
|
217
feet
|
||
3
|
Ekambareswara Temple
|
Kanchipuram
|
194 feet
|
||
4
|
Sri
Andal Temple
|
Srivilliputhur
|
11-tier
|
192
feet
|
|
5
|
Southern
Rajagopuram of Minakshi
|
Madurai
|
9-tier
-1511
sculptures
|
160
feet
|
Sevvanti
Murty Chettiar in 1559 CE
|
6
|
Eastern
Rajagopuram of Minakshi
|
Madurai
|
153
feet
|
Maravarman
Sundara
Pandyan
|
|
7
|
Sarangapani
Temple
|
Kumbakonam
|
12-tier
|
146
feet
|
|
8
|
Suchindram
|
Kanyakumari
|
134
feet
|
||
9
|
Rameswaram
|
Rameswaram
|
126
feet
|
Deity
The
colossal form of Lord Ranganatha is seen in His anantaçayanam posture with Çrédevé and Bhüdevé by His side. The
first time (in 2009) when I had darçan,
I was overawed, and asked a fellow devotee whether the eyeballs are of gold. He
reprimanded me saying ‘You should not say like that.’ Later on I discovered
that the eyes and the crown are plated/painted gold. The gold-plated/painted crown is
known as praëava-vimänam or paravasudeva-vimänam. (Photographs are
not allowed, but surprisingly a good distinct photo clicked by a famous westerner
is on the net.)
Nam
Perumäl, the utsava (festival) deity
is in a standing posture placed in front of the mülavar (as is the custom in all Vaiñëava temple, preventing a
complete darçan of the main deity (mülavar).
The
divine consort Çré Raìganäyaké is enshrined separately (Hail! Women Power!) in
the fourth prakäram. There is a
separate shrine for Sri Andal, who married Lord Ranganatha in Sri Rangam. There
are separate shrines for Narasimha, Anjaneya, Garuda Alwar, and Bibi Nächiar
(only her painted image is there).
The
‘Hall of a Thousand Pillars’ was left incomplete with 936 pillars. I could
visit the 1000-pillared hall only in my second visit, after seeing the
exquisite sculpture/s in a Temple-Guide book. The hall has exquisite sculptures
of gods and goddesses, Äÿwärs and Äcäryas. The front of the maëòapam is embellished with
Vijayanagar/Näyaka specialty - equestrians fighting lions.
The stone carvings above and below the tapestry are equally rich in detail. The base depicts women in different postures. One of the pillars shows a rider, with the horse reared up, while below are a number of foot soldiers.
Some of the pillars
have episodes of the Puräëas sculpted on them.
Paintings
The
shrine contains fine sculptures of the Näyaka period, and paintings on Rämäyaëa and Viñëu Puräëa.
Festivals
The
most important festival is the 21-day Vaikuëöha
Ekädasi (Paradise Festival). Other festivals are Chitirai car (April) Thai
(Jan), Theppam (Feb) and Goratham (March).
Literature
The
early Sangam literature mentions
about this Temple. The earliest extant inscriptions date back to 10th
century. All the twelve Älwärs
(with the exception of Madhurakavi) have sung in praise of Lord Ranganatha. Çré
Rämänuja, Nätha Munigal, Vedänta Deçika, and other Vaiñëava Saints were closely
associated with Sri Rangam. Tamil poet Kambar is said to have recited his epic
work Kamba Rämäyaëam here.
The
twelve Alvärs are – i) Periyä*
Äÿvär (600-900 CE), ii) Äëòaÿ* (600-900 CE), iii) Kulaçekhara Äÿvär (600-900 CE), iv)
Tirumaliçai Äÿvär, v) Tiruppän Äÿvär, vi) Madhurakavi Äÿvär, vii) Tirumaìgai
Äÿvär, viii) Nammäÿvär, ix) Bhudattäÿvär and x) Pey Äÿvär, xi) Näthamuni
(824-924 CE), xii) Yamunä (918-1038 CE).
*Äëòaÿ was the foster daughter of Periyä Äÿvär (600-900 CE).
|
Historical Background
The
Sri Rangam Temple as well as the Jambukeswaram Temple suffered terrible blows
during the Muslim invasion in 14th century. The first attack was in
1311 CE by Malik Kafur, the iconoclast general of the Khiljis. The second
attack was in 1323 CE under Ulugh Khan (the later Mohammed Bin Tughlaq), the
son of Ghiyasuddin Tughlaq. These two Muslim raids crippled the Temple to such
an extent that worship ceased. The 1323 attack was particularly devastating. Worship
was restored in 1371 CE (after 48 years), when the forces of Vijayanagar
stormed the Temple-complex. From then on, for next 350 years, the Vijayanagar
Kings and the Nayakas lavished their riches on this Temple (How wonderful).
Legend
Legend
has it that, the image of Sri Ranganatha worshipped here was originally
worshipped by the clan of the Ikñväku
Kings, and was passed on to Rama. At the time of Sri Rama’s pattabhiñeka, Vibhéñaëa obtained the Raìga
Vimäna (a special chariot-like conveyance carried by Veda Murtis with Viñëu inside) from Sri Rama as a gift, and
proceeded to Lanka with the said image. While carrying it to Sri Lanka, circumstances
caused him to place it on the banks of River Kaveri at Sri Rangam. Contrary to
the injunction he had received, Vibhéñaëa placed it on the ground, and it was
rooted there. A disappointed Vibhéñaëa returned to Sri Lanka with the
consolation that the image of Sri Ranganatha at Sri Rangam would face south –
in the direction of Lanka.
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Work in progress
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